Logan

She fit against my side in a way that felt natural, like she belonged there.
The thought caught me off guard, but I pushed it aside. I was just being protective, that was all. Still, I had to resist the urge to wrap my arm around her waist and pull her closer. Her body and the way she seemed to mold perfectly into my side was… distracting.”


Logan…The Man I Wish I’d Met

Logan Weston doesn’t exist.

I wish he did. God, do I wish he did.

Unlike Emma, who’s built from real pain and real people, Logan is pure fiction. He’s not based on anyone I’ve dated, anyone I’ve known, or anyone who showed up for me when I needed it most. He’s the opposite, actually. He’s the absence of all that, turned into a person.

Logan is a wish. The kind you make when you’re alone at night, wondering why no one fought for you. Why no one stood up and said “enough.” Why you had to save yourself because no one else was coming.

The Man I Needed

When I was going through the worst of my abusive relationship, I was alone. Not physically—there were people around—but emotionally, I fought that battle by myself. No one challenged my ex. No one pulled me aside and said “I see what’s happening to you.” No one showed up afterward to help me pick up the pieces.

I left because I had to. Because staying meant losing myself completely. But I left alone, and I rebuilt alone, and there were so many moments I wished someone had just… been there. Really, truly been there. Not to rescue me. I didn’t need rescuing. But to stand beside me and say “I see you. I believe you. You’re not crazy.”

That’s Logan.

He’s the detective who believes Emma when everyone else has already decided she’s guilty. He’s the man who sees past the conviction, past the judgment, past the prison uniform, and sees the woman underneath. He’s the person who shows up, consistently, even when it’s hard. Especially when it’s hard.

Why I Made Him Flawed

I could have made Logan perfect. The fantasy version—no baggage, no demons, just a white knight ready to sweep in and fix everything.

But that felt hollow. Dishonest, even.

Real people don’t come without scars. Real love doesn’t mean one person has it all figured out while the other is broken. So I gave Logan his own trauma. His brother’s death, his PTSD, his need to control situations because he couldn’t save the person he loved most. I made him someone who’s also learning, also healing, also struggling to be better.

Because that’s the kind of partner I actually want. Not someone who has all the answers, but someone who’s brave enough to admit they don’t. Someone who’s working on themselves while supporting you working on yourself. Someone who’s strong and kind and protective, but also vulnerable enough to let you see their cracks.

Logan isn’t perfect. He’s overprotective. He struggles to trust. He tries to control things when he’s scared. But he learns. He listens. He grows. And he shows up, every single time, even when it costs him something.

Setting the Bar Too High

Here’s the problem with creating Logan: I set the bar impossibly high for myself.

There’s this scene in Practical Magic where young Sally, terrified of falling in love and getting hurt, casts a spell to create the perfect man. She makes him impossible—one blue eye, one green, his favorite shape is a star—all these specific, ridiculous traits designed to ensure he’ll never exist. If he can’t exist, she can’t fall in love. If she can’t fall in love, she can’t get hurt.

I think about that scene a lot now.

Because in a weird way, I did the same thing with Logan. I didn’t mean to. It wasn’t intentional self-sabotage or fear of love. But I’ve literally built this man from scratch, given him every quality I wish I’d found in real life, and now I’m out here in the dating world wondering why no one measures up to the fictional detective I invented.

I made him brave but vulnerable. Strong but gentle. Protective but respectful. Patient with trauma. Willing to fight for someone. Someone who shows up, consistently, even when it’s hard. Someone who sees past the damage to the person underneath.

And just like Sally’s spell, I’ve created someone so specific, so layered with impossible qualities, that maybe he can’t exist outside the pages of my book.

How fair is that?

Not very, probably.

But also? I don’t care. Because writing Logan reminded me what I deserve. What anyone who’s survived abuse deserves. We deserve someone who:

  • Believes us without question
  • Supports without controlling
  • Protects without suffocating
  • Loves us through the mess
  • Shows up even when it’s inconvenient
  • Fights for us, not against us
  • Sees our strength even when we can’t

Logan is a fantasy, yes. But he’s a fantasy built on real needs. Real gaps that were left in my life. Real moments I wish had gone differently. (Though unlike Sally, I’m still waiting to see if the universe has any surprises up its sleeve. At least she got her impossible man in the end.)

Why He Matters

Logan exists because Emma needs him. And I needed to write him because I needed to believe that kind of person could exist.

Maybe he’s out there. Maybe he’s not. Maybe I’ll meet him, maybe I won’t.

But creating him, writing him, giving him to Emma, that was its own kind of healing. It was me telling myself: This is what you deserved then. This is what you deserve now.

It’s me raising my standards and refusing to settle for less than what I’ve imagined.

And if that means I’m single until I meet someone who at least comes close to the fictional detective I created? Well, Logan would tell me that’s exactly what I should do. Wait for someone worthy. Someone who shows up. Someone brave and kind and strong.

Someone who sees me the way Logan sees Emma. Not as broken, but as someone worth fighting for.

That’s not too much to ask for. Even if I had to invent him to figure that out.


Logan Weston is a love letter to every woman who wished someone had stood beside her. He’s proof that we know what we need—we just don’t always get it. But we can write it. We can imagine it. We can refuse to settle for less.